From Material to Bank Robbery

You wear the mask. You pretend the movement of an element or material.

You exit backstage. Then you reenter and you must tell the audience of a bank robbery you witnessed.

The text cannot overpower the movement.
You must have pleasure in your movement. Your own special pleasure.

Or maybe you come on the stage to perform a cabaret song. Same challenge.

Why is it so hard to keep the physical rhythm once the actor stands on two legs?

Or you tell te audience of falling in love. If you play love. If you play an emotion. Adios immediately.